Originally replacing the elaborate ruff, the falling band became a staple of men’s attire, reflecting a shift toward more natural, flowing silhouettes. By the 1640s, this broad, flat collar—gracefully draping over the shoulders—was often edged in luxurious lace, denoting refinement, education, and high status. It differed from the falling bands of the 1630’s by being more reserved with the width of lace used.
This specific style of falling band is based on the contemporary examples in the:
Colonial Williamsburg Foundation Collection. Object number: 1956-144
Clothes worn by King Christian IV of Denmark, Rosenburg Castle, Copenhagen
Examples of this style of falling band can be seen in the following paintings:
- Portrait of a distinguished gentleman (1643), Frans Hals
- Portrait of a young man, (1640), Frans Hals
- King Charles I with James II (1647), Peter Lely








